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Production and Campus Safety Philosophy
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Equipment
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Facilities
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- Articles coming soon
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COVID-19 Best Practices
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Pre-Production
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Live Action Production
- Live Action Production (Introduction)
- How To Behave On Set
- Set Protocol
- Safety Practices During Production
- Working with Electricity
- Working in Heat
- Shooting on/near Streets and Roadways
- Cars and Other Moving Vehicles
- Elevated Work Platforms
- Fire and Open Flames on Set
- Smoke, Fog, and Lighting Effects
- Power Tools
- Glass
- Production Trucks
- Prop Weapon Usage
- Stunts and Coordination
- Animals in Film
- Desert Insects / Animals
- Water and Boats
- Makeup and Prosthetic Materials
- Filming in the Rain
- Film Shoots on Campus
- The FV Project Form
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Animation Production
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Post-Production and Sound
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Digital and Analog Workflows
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Copyright and Clearances
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Marketing, Screening, and Distribution
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Grants and Scholarships
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Vendors and Discounts
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Contracts, Releases, and Forms
- Contracts, Release, & Forms (Introduction)
- Actor Contract/Release
- Backstage Casting
- Call Sheet Template
- Cast/Crew Sign In Sheet
- Cigarette Release
- Crew Contract/Release
- Crowdfunding Checklist
- Crowd Notice Area Signage
- Crowd Notice Audience Signage
- Emergency Medical Information
- Emergency Phone Numbers
- Event and Performance
- Extra Release
- Film Festival Submission Checklist
- General Release
- Insurance Request Form
- Location Contract
- MFA Thesis Paperwork
- Minor Release
- Musician/Composer Release
- Non Disclosure Agreement
- Nudity/Simulated Sex Act Rider
- One Sheet Example
- Post-Production Questionnaire
- Production/Installation Space Reservation Form
- Prop Weapons Use Notice
- Reception Request
- Right of Publicity Agreement and Copyright
- Safety Inspection Form
- Safety Meeting Attendance
- Vehicle Release
- Weapon Release Form
- Insurance for Travel Outside of the US
- The FV Project Form
- Volunteer Agreement
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School Policies
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Academic Policies
- Academic Support
- CalArts School of Film/Video MFA Thesis Guidelines
- Graduation Reviews
- Independent Study
- Mentoring
- Mid-Residence Reviews for BFAs
- Residency Requirements
- School of Film/Video Policy for Non-Film/Video Student Access to Equipment
- MFA Thesis Paperwork
- Thesis Film Submission Instructions
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Campus Maps
All Facilities, A-Z
A108 Animation Computer Lab
A109 Animation Computer Lab
A221, A321, A421 Character Animation
A111 Mix Theater
A112 Recording Studio
A112E Sound Design Suite
A404 Black & White Studio
BB3J Classroom
BB3E Sound Stage
BB4 Stop Motion Cubes
C113 Gallery
C115 Video Studio
C117 Permanent Set
Character Animation Desks
E19 Digital Optical Printer
E20 Darkroom
E21 Negative Cutting Room
E24 Optical Printer
E26 Flatbeds
E28 Steenbecks
E31 Stop Motion Stage
E33 Stop Motion Stage
Film Scanning
E46 Student Technician Helpdesk
E58 Motion Capture and Classroom
E59 Classroom
E60 Live Action Commons
E61 Classroom
E65 Classroom
E104 FVSound Helpdesk
E105 Computer Lab
Experimental Animation Cubicles
F101 Digital Oxberry and Film Recorder
F102 16mm Oxberry
F103 Computer Lab
F104 Post Sound Suite
F105 Animation Computer Lab
Film & Image Services
Personal Studio Spaces
Post-Production Suites
Print & Media Lab
Short Term Studios