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Production and Campus Safety Philosophy
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Equipment
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Facilities
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- A115D Downshooters
- A115H Downshooter
- A115I Downshooter
- BB4 Stop Motion Desks and Stages
- E23, E25, and E27 Downshooter and Multiplane Rooms
- E32 and E34 Stop Motion
- E33 Stop Motion
- E58 Motion Capture and Classroom
- F101 Digital Oxberry and Film Recorder
- Pencil Test and Scanning Stations
- Portable Animation Desks
- Town Center Downshooter and Multiplane
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COVID-19 Best Practices Handbook
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Pre-Production
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Live Action Production
- Live Action Production (Introduction)
- How To Behave On Set
- Set Protocol
- Safety Practices During Production
- Working with Electricity
- Working in Heat
- Shooting on/near Streets and Roadways
- Cars and Other Moving Vehicles
- Elevated Work Platforms
- Fire and Open Flames on Set
- Smoke, Fog, and Lighting Effects
- Power Tools
- Glass
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- Prop Weapon Usage
- Stunts and Coordination
- Animals in Film
- Desert Insects / Animals
- Water and Boats
- Makeup and Prosthetic Materials
- Filming in the Rain
- Film shoots on Campus
- Student Project Application
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Animation Production
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Post-Production and Sound
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Digital and Analog Workflows
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Copyright and Clearances
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Marketing, Screening, and Distribution
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Grants and Scholarships
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Vendors and Discounts
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Contracts, Releases, and Forms
- Contracts, Release, & Forms (Introduction)
- Backstage Casting
- Call Sheet Template
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- Cast/Crew Sign In Sheet
- Cigarette Release
- Crowd Notice Area Signage
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- Event and Performance
- Extra Release
- Facilities Supervisors’ Authorization Form
- Insurance Request Form
- Location Contract
- Minor Release
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- One Sheet Example
- Post-Production Questionnaire
- Production/Installation Space Reservation Form
- Prop Weapons Use Notice
- Reception Request
- Right of Publicity Agreement and Copyright
- Safety Inspection Form
- Safety Meeting Attendance
- Vehicle Release
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- Insurance for Travel Outside of the US
- Winter Break Student Project Application
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School Policies
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Academic Policies
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Campus Maps
Layback
Once your sound mix and final picture are finished, you are ready for a layback. The layback is the final step in the post-production process wherein the final sound mix is married with the final picture.
Deliver your final color-corrected video output without audio to E104 Sound Transfer / Helpdesk. Your video must be a master final export — at least Apple ProRes 422 HQ codec, up to ProRes 4444 XQ — with titles, standard head leader, final color correction, and must be silent. Either drop off your file in person with a Student Technician in E104 Sound Transfer / Helpdesk during Helpdesk hours or upload your file to the Submissions > Laybacks folder on FVCentral.
Once the layback process is complete, FVSound will provide you with a folder containing all the necessary files for: file-based exhibition (5.1 mix), internet streaming (Internet Only mix), archival master (encoded with 5.1, LtRt, and Internet Only mixes), and a Davinci Resolve project archive from which to create your own custom output files.
There is no fee for laybacks, but you cannot pick up your layback until you have paid for your sound mix. Note that any changes to picture or sound after the layback will require a new layback.