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Production and Campus Safety Philosophy
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Equipment
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Facilities
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- A115D Downshooters
- A115H Downshooter
- A115I Downshooter
- BB4 Stop Motion Cubes
- E58 Motion Capture and Classroom
- E32, E33, and E34 Stop Motion
- F101 Digital Oxberry and Film Recorder
- Pencil Test and Scanning Stations
- Portable Animation Desks
- E23, E25, and E27 Downshooter and Multiplane Rooms
- Town Center Downshooter and Multiplane
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COVID-19 Best Practices Handbook
- COVID-19 Film Production Guidelines
- COVID Production Procedures
- COVID Safety Plan Topics
- Consequences for Failure to Follow COVID-19 Production Guidlines
- COVID Production Health Questionnaire
- Signs to Post on Set
- FV COVID-19 Film Production Guidelines Fall 2021 Orientation
- COVID-19 Signs to Post on Set
- COVID-Safety Plan Topics
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Pre-Production
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Live Action Production
- Live Action Production (Introduction)
- How To Behave On Set
- Set Protocol
- Safety Practices During Production
- Working with Electricity
- Working in Heat
- Shooting on/near Streets and Roadways
- Cars and Other Moving Vehicles
- Elevated Work Platforms
- Fire and Open Flames on Set
- Smoke, Fog, and Lighting Effects
- Power Tools
- Glass
- Production Trucks
- Prop Weapon Usage
- Stunts and Coordination
- Animals in Film
- Desert Insects / Animals
- Water and Boats
- Makeup and Prosthetic Materials
- Filming in the Rain
- Film shoots on Campus
- Student Project Application
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Animation Production
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Post-Production and Sound
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Digital and Analog Workflows
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Copyright and Clearances
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Marketing, Screening, and Distribution
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Grants and Scholarships
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Vendors and Discounts
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Contracts, Releases, and Forms
- Contracts, Release, & Forms (Introduction)
- Call Sheet Template
- Cast/Crew Release
- Cast/Crew Sign In Sheet
- Cigarette Release
- Crowd Notice Area Signage
- Crowd Notice Audience Signage
- Emergency Medical Information
- Emergency Phone Numbers
- Event and Performance
- Extra Release
- Insurance Request Form
- Location Contract
- Minor Release
- Musician/Composer Release
- Nudity/Simulated Sex Act Rider
- One Sheet Example
- Post-Production Questionnaire
- Prop Weapons Use Notice
- Reception Request
- Right of Publicity Agreement and Copyright
- Safety Inspection Form
- Safety Meeting Attendance
- Vehicle Release
- Weapon Release Form
- MFA Thesis Packets (For MFA-2 Students)
- Winter Break Equipment Checkout
- Insurance for Travel Outside of the US
- Production/Installation Space Reservation Form
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School Policies
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Academic Policies
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Campus Maps
Color Grading
Color correction / grading is a necessary step in contemporary digital filmmaking, particularly with any footage shot in a Log or RAW format. Color correction is a technical process that fixes color issues and makes footage appear as naturalistic as possible.
While color grading is technical, it is more of a creative concern. The color grading process adds atmosphere and emotion to shots by coloring footage in new, often unusual ways.
Color grading can be accomplished in any non-linear editing software, such as Premiere. Often projects are brought into software specifically made for color work, such as Davinci Resolve. For questions or to help getting started with color grading, come by the DEP Helpdesk in E46 during open hours. There are also classes that teach color grading in depth.