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Production and Campus Safety Philosophy
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Equipment
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Facilities
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- Articles coming soon
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COVID-19 Best Practices
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Pre-Production
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Live Action Production
- Live Action Production (Introduction)
- How To Behave On Set
- Set Protocol
- Safety Practices During Production
- Working with Electricity
- Working in Heat
- Shooting on/near Streets and Roadways
- Cars and Other Moving Vehicles
- Elevated Work Platforms
- Fire and Open Flames on Set
- Smoke, Fog, and Lighting Effects
- Power Tools
- Glass
- Production Trucks
- Prop Weapon Usage
- Stunts and Coordination
- Animals in Film
- Desert Insects / Animals
- Water and Boats
- Makeup and Prosthetic Materials
- Filming in the Rain
- Film Shoots on Campus
- The FV Project Form
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Animation Production
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Post-Production and Sound
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Digital and Analog Workflows
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Copyright and Clearances
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Marketing, Screening, and Distribution
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Grants and Scholarships
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Vendors and Discounts
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Contracts, Releases, and Forms
- Contracts, Release, & Forms (Introduction)
- Actor Contract/Release
- Backstage Casting
- Call Sheet Template
- Cast/Crew Sign In Sheet
- Cigarette Release
- Crew Contract/Release
- Crowdfunding Checklist
- Crowd Notice Area Signage
- Crowd Notice Audience Signage
- Emergency Medical Information
- Emergency Phone Numbers
- Event and Performance
- Extra Release
- Film Festival Submission Checklist
- General Release
- Insurance Request Form
- Location Contract
- MFA Thesis Paperwork
- Minor Release
- Musician/Composer Release
- Non Disclosure Agreement
- Nudity/Simulated Sex Act Rider
- One Sheet Example
- Post-Production Questionnaire
- Production/Installation Space Reservation Form
- Prop Weapons Use Notice
- Reception Request
- Right of Publicity Agreement and Copyright
- Safety Inspection Form
- Safety Meeting Attendance
- Vehicle Release
- Weapon Release Form
- Insurance for Travel Outside of the US
- The FV Project Form
- Volunteer Agreement
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School Policies
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Academic Policies
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Campus Maps
Be Prepared, Be Informed, Be Responsible
Be Prepared
Any creative endeavor requires thought and preparation. This is especially true in film and video production. Before we can even think about using a camera, we have to find or create the reality we want to record. In Documentary filmmaking, proper preparation means comprehensive research, pre-interviews, site visits, planning and scheduling. Preparation in Experimental filmmaking means extensive investigation of new ideas, processes and equipment which requires a great deal of time and careful thinking. In Narrative filmmaking, in addition to writing and rewriting, thorough preparation can mean location scouting, casting, crewing up, set design, construction and dozens of other activities crucial to creating an alternate reality for the camera. A crucial factor in all of this preparation is considering how we will execute our vision safely. At each step we must ask ourselves how what we are planning to do can be done without putting ourselves or our colleagues at risk.
Be Informed
We want to be sure you have the best information available about safe practices in film and video making. It is up to you to become familiar with these practices and then inform your colleagues and crew members about them.
Be Responsible
Your colleagues are depending upon you to be accountable for what you do and for what you ask others to do on your behalf.
- When you make a film or video you are taking charge—you are the responsible person.
- That makes you eligible for the accolades when things go well and for the liability when they don’t.
- Being safe means you are trustworthy and prudent; that others can depend on you for their own security.
- Being safe means that you are open to comments from others when they see that something may be unsafe.
- And being safe means that you are responsible for the well-being of those you work with and for the resources that the Institute provides.