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Production and Campus Safety Philosophy
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Equipment
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Facilities
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- Articles coming soon
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COVID-19 Best Practices
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Pre-Production
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Live Action Production
- Live Action Production (Introduction)
- How To Behave On Set
- Set Protocol
- Safety Practices During Production
- Working with Electricity
- Working in Heat
- Shooting on/near Streets and Roadways
- Cars and Other Moving Vehicles
- Elevated Work Platforms
- Fire and Open Flames on Set
- Smoke, Fog, and Lighting Effects
- Power Tools
- Glass
- Production Trucks
- Prop Weapon Usage
- Stunts and Coordination
- Animals in Film
- Desert Insects / Animals
- Water and Boats
- Makeup and Prosthetic Materials
- Filming in the Rain
- Film Shoots on Campus
- The FV Project Form
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Animation Production
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Post-Production and Sound
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Digital and Analog Workflows
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Copyright and Clearances
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Marketing, Screening, and Distribution
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Grants and Scholarships
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Vendors and Discounts
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Contracts, Releases, and Forms
- Contracts, Release, & Forms (Introduction)
- Actor Contract/Release
- Backstage Casting
- Call Sheet Template
- Cast/Crew Sign In Sheet
- Cigarette Release
- Crew Contract/Release
- Crowdfunding Checklist
- Crowd Notice Area Signage
- Crowd Notice Audience Signage
- Emergency Medical Information
- Emergency Phone Numbers
- Event and Performance
- Extra Release
- Film Festival Submission Checklist
- General Release
- Insurance Request Form
- Location Contract
- MFA Thesis Paperwork
- Minor Release
- Musician/Composer Release
- Non Disclosure Agreement
- Nudity/Simulated Sex Act Rider
- One Sheet Example
- Post-Production Questionnaire
- Production/Installation Space Reservation Form
- Prop Weapons Use Notice
- Reception Request
- Right of Publicity Agreement and Copyright
- Safety Inspection Form
- Safety Meeting Attendance
- Vehicle Release
- Weapon Release Form
- Insurance for Travel Outside of the US
- The FV Project Form
- Volunteer Agreement
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School Policies
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Academic Policies
- Academic Support
- CalArts School of Film/Video MFA Thesis Guidelines
- Grading Procedures
- Graduation Reviews
- Independent Study
- Mentoring
- Mid-Residence Reviews for BFAs
- Residency Requirements
- School of Film/Video Policy for Non-Film/Video Student Access to Equipment
- MFA Thesis Paperwork
- Thesis Film Submission Instructions
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Campus Maps
A112e Sound Design Suite
This Mac Studio Workstation employs Pro Tools Ultimate software and allows recording via 2 mic / line inputs. The Avid Dock and Avid S1 control surfaces allow for audio editing, routing, mixing, and real-time automation in Pro Tools. A Blu-ray player is installed as well to screen discs in surround sound. The space has a calibrated ITU 5.1 surround sound monitoring system for sound editing, design and mixing. A112E is not a 24-hour space; it is closed from 4:00 am – 7:00 am when there is no HVAC.
Access
A112E Sound Design Suite access will be granted to students after they have completed the Post- Production Sound course. Reservations to work in the suite may be placed on the sign-up sheet across the hall from E104 Sound Transfer / Helpdesk on the FVSound bulletin board. Sign-up sheets go up on Mondays by 12:00pm (noon).